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Film & Television Editor

RakeshLal Das

Shaping stories through rhythm, emotion and precise visual cuts.

Portrait of Rakesh Lal Das, film and television editor
01 — About
Portrait of Rakesh Lal Das, film and television editor
Contact Sheet · Rakesh Lal DasFrame 02 / 24

The editor behindthe emotion.

I am an editor working across film and television. My credits include Faltu (2022), Flight Attendant (2024) and Nazar (2018) — projects that move between grounded drama and heightened storytelling.

My work is guided by a single question in every scene: what does the audience need to feel next? The answer decides where a shot begins, how long it breathes and the exact frame it lets go.

Creative Approach

“A cut is a decision about attention — where the eye goes, what the heart keeps, and the exact frame to let it go.”

Known For

  • Flight Attendant 2024
  • Faltu 2022
  • Nazar 2018

Availability

Open to select projects

02 — Selected Work03 Projects
  • 5.5·TV Series
    Editor·6 episodes·2024
  • 6.8·TV Series
    Editor·312 episodes·2022
  • 5.8·TV Series
    Editor·409 episodes·2018
03 — ShowreelFeatured Cut
The Flight Attendant Season 2 Trailer Thumbnail
Showcase Video16:9 HD

Featured Scene

The Flight Attendant (Season 2)

Holding tensionat altitude.

A high-stakes thriller requires tension that breathes. This sequence showcase highlights the rhythmic pacing, rapid-cut transitions, and emotional beats designed to keep the audience suspended in mid-air.

Project
Flight Attendant (2024)
Format
HBO Max Series
Role
Film & TV Editor
Focus
Suspense & Rhythm

Gallery Showcase

Production Stills

Frame 01, 02 & 03 · Editorial Bay

The Flight Attendant production still - Rakesh Lal Das
Flight AttendantFrame 01
Faltu production still - Rakesh Lal Das
FaltuFrame 02
Nazar production still - Rakesh Lal Das
NazarFrame 03
04 — Philosophy

The cut betweenemotion and story.

Editing is the last rewrite — the place where footage becomes feeling. It decides pace, tension, clarity and continuity, one frame at a time.

Pace
Every cut sets a tempo the audience feels before they notice.
Tension
Holding a frame a beat longer turns silence into suspense.
Emotion
The right cut lets a look land before a word ever has to.
Clarity
Structure keeps the story legible even when the scene is chaos.
Continuity
Invisible work: the world never breaks between two frames.
05 — CreditsScene Index
  1. 2018

    Nazar

    TV Series · Editor

    Suspense cut close.

  2. 2022

    Faltu

    TV Series · Editor

    Everyday lives, precisely paced.

  3. 2024

    Flight Attendant

    TV Series · Editor

    Tension held at altitude.

06 — Experience

Capabilities

The craft an editor brings to every project — from first assembly to final continuity.

  • 01

    Narrative Editing

    Assembling footage into a coherent story that holds attention from first frame to last.

  • 02

    Scene Structuring

    Ordering beats within a scene so intention, conflict and release land with clarity.

  • 03

    Visual Rhythm

    Controlling the tempo of cuts so pace becomes an emotion the audience can feel.

  • 04

    Story Continuity

    Keeping action, eyelines and time consistent so the world never breaks.

  • 05

    Emotional Pacing

    Deciding when to linger and when to move — letting moments breathe or cutting them tight.

  • 06

    Collaborative Post-Production

    Working alongside directors, sound and colour to bring the final vision together.

07 — Contact

Have a story thatneeds its rhythm?

Producers, directors and production houses — send the project, the timeline and where you want the audience to feel it most.

Open to select projects
  • IMDb
  • LinkedIn (link coming soon)
  • Instagram (link coming soon)
  • YouTube (link coming soon)
  • Vimeo (link coming soon)